Either if you are an illustrator or not, you have to see this reel. It's terrific...
Enjoy it...
www.matteosanna.com
February 27, 2014
February 26, 2014
Documentary "Life after Pi"
In 2013 Rithm&Hues won the Academy Award in visual effects for "Life of Pi", 11 days after declaring bancruptcy...
This is how it starts the documentary on the vfx industry Life of Pi.
The Documentary describes all the politics subsidies there are behind a movie and why at this time this is not working...
In 2008 I had the opportunity to visit their studio at Venice Beach, and it was a great experience, plenty of great artists, awesome stuff.
Let's hope something will change in the future.
www.matteosanna.com
This is how it starts the documentary on the vfx industry Life of Pi.
The Documentary describes all the politics subsidies there are behind a movie and why at this time this is not working...
In 2008 I had the opportunity to visit their studio at Venice Beach, and it was a great experience, plenty of great artists, awesome stuff.
Let's hope something will change in the future.
www.matteosanna.com
February 25, 2014
Justin and the knights of valour - Roberto Zincone Reel
Today I would like to share a reel from an incredible talented animator: Roberto Zincone.
This is reel, done while he was working at Kandor Graphics for "Justin and the knights of valour"
Enjoy it...
www.matteosanna.com
This is reel, done while he was working at Kandor Graphics for "Justin and the knights of valour"
Enjoy it...
www.matteosanna.com
February 24, 2014
Generalist Reel Spring 2014 - Matteo Sanna (Personal Work)
There it is, my new Generalist Reel, with a collection of the stuff done in the last 4 years, and especially in the last 2 years working in London: mostly commercials, motion graphic and music videos.
I'm looking for new opportunities...
Enjoy it and share on the web.
www.matteosanna.com
I'm looking for new opportunities...
Enjoy it and share on the web.
www.matteosanna.com
Peppermint - Julio Bashmore (Personal Project
Finally is out my last project: Peppermint the new video of Julio Bashmore.
I have been working on this project for about 6 weeks. I started at Blink working close with the Director Noah Harris (one of the most famous director at Blink) on the previz for this video and helping him to visualize all the different aspect of the production: modelling all the elements of the video with the proper scale, especiallty the head that has been printed in 3d, and working on all the animations in sync with the music. I help him visualize all the sequence, producing all the camera animation, all those datas has been imported in the camera track for the final shooting.
After around 3 weeks of previs, I move to post production at Prodigious, working on a sequence in full Cg. I worked closed with Rodi Kaya, a great 3d artist. We worked on 12 shots. I produce all the camera animation, 3d animation (of the body) for 6 shots.
I modelled the hands, to make it as close as possible with the real one used during the shooting. At the end of production, I fixed any secondary issue in the full cg sequence: lipsync, body skin issue, hands 3d model and sync with the music, taking care merging all the shots and I coordinate the production of the shots checking that everything was fine, before the final render.
Has been another great experience to work on, pretty "original".
Enjoy it...
www.matteosanna.com
I have been working on this project for about 6 weeks. I started at Blink working close with the Director Noah Harris (one of the most famous director at Blink) on the previz for this video and helping him to visualize all the different aspect of the production: modelling all the elements of the video with the proper scale, especiallty the head that has been printed in 3d, and working on all the animations in sync with the music. I help him visualize all the sequence, producing all the camera animation, all those datas has been imported in the camera track for the final shooting.
After around 3 weeks of previs, I move to post production at Prodigious, working on a sequence in full Cg. I worked closed with Rodi Kaya, a great 3d artist. We worked on 12 shots. I produce all the camera animation, 3d animation (of the body) for 6 shots.
I modelled the hands, to make it as close as possible with the real one used during the shooting. At the end of production, I fixed any secondary issue in the full cg sequence: lipsync, body skin issue, hands 3d model and sync with the music, taking care merging all the shots and I coordinate the production of the shots checking that everything was fine, before the final render.
Has been another great experience to work on, pretty "original".
Enjoy it...
www.matteosanna.com